Interview with Jonesy, the street artist who works in bronze

One of the most varied artists on the East London street art scene is Jonesy. A man equally at home casting bronze or producing paste ups. He is a multi-faceted talent and his work can be found all over the east end.

We’ve covered his work here before on Inspiring City. A favourite of London tour guides because the art is often beautifully intricate but hidden from view. We described Jonesy as ‘the street artist who is our little secret‘. It’s because quite simply he is like no other.

Jonesy the street artist holding a vulture made our foam in his workshop
Street Artist Jonesy holding a vulture made our foam in his workshop

Factory Living

Occupying the top floor of a former biscuit factory in East London. It’s just a short walk from the Limehouse Cut and Bow Locks where a lot of his work can be found. It’s also not too far away from the multi-cultural hub that is Brick Lane. This is where some of his most famous works can be seen.

Inside it is a hive of creativity, virtually no part of this studio is free from some form of drawing or sculpture. In the centre is a huge bronze birdbath, an early example of his work from the nineties. It is covered with intricate details, cast from an old satellite dish he added the details in wax before creating the cast.

This is how he creates a lot of his bronzes, a combination of found materials which act as the base and then intricate wax designs added on top. A metal worker by trade he is well versed in the creation of casts to which the molten bronze is then poured into, the sheer volume of finished products in the workshop are testament to that.

Street Artist Jonsey in his studio
Jonsey studio includes a little workshop where he melts his wax and carves his wood

Wales to London

Originally from the Welsh valleys, Jonesy came to London in the eighties, and with the exception of a few stints working elsewhere, including a time in Ibiza working with acclaimed sculptor Barry Flanagan, this is where he has been since. Street art started relatively late, first experimenting around the valleys of his home town in Wales and then really starting to place his mark onto the London scene around 2010.

His work has a strong flavour of environmentalism about it. More than once when we meet, he keeps coming back to these themes. Global warming is a concern and a lot of his work is aimed at raising awareness of this. One key event in particular, the discovery in 2013 that the c02 levels in the atmosphere had reached up to 400 parts per million is something he keeps coming back to. “That was the point at which it’ll take our temperature above two degrees.” It’s the tipping point he tells me.

A bronze of two lovers next to an old oil can next with a spray painted bird
A bronze of two lovers next to an old oil can next with a spray painted bird

Environmental Street Art

The whole 400 parts per million thing is important and he references it on a lot of his work because that’s the point at which some scientists think could unleash a domino effect of environmentally related events. The thawing of permafrost releasing methane into the atmosphere for example and the continued reduction of the ice caps. Both perhaps all too painfully obvious by-products of global temperatures rising past that point of two degrees.

“Sometimes it feels like we’ve already failed because we have reached 400 parts per million they’ve been warning about it for the past twenty odd years” he tells me. “It doesn’t stop you doing it though I want people in the future to look back and say some people tried to do something about it at least”.

A lot of his work is inspired by these themes. In addition to his bronzes he creates original hand drawn posters which he pastes up around the streets of London and the towns he visits around the country. He’s also equally at home in wood, in fact alongside the back of the studio a series of hand carved and fully strung guitars are hanging on the back wall. All made with wood sourced from environmentally friendly sources, they are just hanging there, beautifully carved.

The Ouroboro a dragon eating its own tail
The Ouroboro a dragon eating its own tail

Bronze Castings

I ask about one of the pieces that I always remember seeing and which first brought his work to my attention. It was a bronze casting of a dragon eating its own tail and snaking it’s way round a disc which I now discover he originally modelled in wax onto a plastic lid prior to casting it. It was rammed solidly into a wall next to Shoreditch station and I remember marvelling at the time it must have taken to do such a thing. “It’s a symbol of death and rebirth” he tells me. Called an Ouroboro it can trace it’s origins back to India and Ancient Egypt and is one of the oldest mystical symbols in the World.

It’s clear that nothing is left to chance with Jonesy and the work he produces. Other inspirations are clear, the use of Celtic imagery and works inspired from native american cultures. Art borne out of peoples who lived with nature and who had the environment at the heart of their way of living. Nature and the congruity that people have with it, playing such an important part of the art he creates.

Jonesy in his studio
Jonesy in his studio

Jonesy Street Artist

Now he is preparing for a show with the Human Nature collective, a group of environmentally aware artists who have been exhibiting together for a while now. There’s a pot of molten wax on the boil at the far end of the studio where he’s created a workshop. Wax which will soon be moulded into intricate designs many of which will then turn into the basis of a mould for bronze casting.

With Jonesy though I get the impression that the art he creates is more just about the expression. We called him the ‘artist who is our little secret‘ because there’s an aura about the man and the work he creates. He rarely promotes his work and he rarely exhibits. Instead he chooses to get on with what he believes in and put his art out there for people to make their own minds up about what it is that he’s trying to say.

Jonesy was interviewed in his workshop on 31 August 2015 and his next show will be the Human Nature exhibition which will run from 17-27 September 2015 in Soho. The latest instalment of a collection of artists who are environmentalist in their outlook and also featuring the likes of ATM, Louis Masai and Jane Laurie. We saw a little bit of the aftermath of the Human Nature show held in Leeds earlier this year and you can read about it here.
Bronze head soon to be mounted onto an unsuspecting pole
Bronze head soon to be mounted onto an unsuspecting pole
Bronze lovers with one of Jonesy's recognisable birds sprayed onto a petrol can
Bronze lovers with one of Jonesy’s recognisable birds sprayed onto a petrol can
Model horse, the same character can be seen often on paste ups
Model horse, the same character can be seen often on paste ups
Horse and rider detail as part of a bird bath cast from a satellite dish
Horse and rider detail as part of a bird bath cast from a satellite dish
A bronze winged figure overlooking the workshop
A bronze winged figure overlooking the workshop
Small bronze roundel
Small bronze roundel
Wooden figures soon to be coming to an East End Canal near you
Wooden figures soon to be coming to an East End Canal near you
Jonesys workshop
Jonesys workshop
Paste ups and art by Bow Locks
Paste ups and art by Bow Locks
New work by Bow Locks
New work by Bow Locks

19 Comments

  1. What a scoop Stuart…. Jonesy unmasked!!! Quite a hero on the streets indeed.. I have admired his work since my eyes were drawn to street art in all it’s many forms.. Top draw!! I’m sure it was Jonesy who made the bronze figures that look out from the River Lee / Regent’s Canal corner junction looking towards the Olympic Stadium.. Maybe you could ask Jonsey if he made them please? Looking forward now to a trip to Soho!!!!

      1. Thanks Stuart for confirming that it is his work… I would go as far to say that the couple holding hands looking out over that spot are the best bronzes in London.. The last time I saw them they had paint thrown over them but to me they will always be beautiful and endearing… A really delightful post you put together Stuart, many thanks for all the effort you put into your blog.

      2. Thanks Mitch I’m really glad you keep taking the time to feed back 🙂 Actually on the bronzes, from your descriptions I’m wondering if they are Jonesy after all, are these the ones by Hackney Wick where it meets the Hertford Union Canal?

      3. Yes Stuart that is the spot where the Hertford Union Canal meets the River Lee, Hackney Wick. (The Regents canal was my mistake). The Bronzes if they are not by Jonesy are still my favourite in London. Thanks for your kind comments Stuart and I know just how much effort you put into preparing and producing your outstanding blog. Cheers!!!

  2. Fantastic interview! Congrats on this scoop 🙂 I’ve always wanted to know about this artist. I keep discovering his artwork in the most unexpected places. What I love about his work is that it’s so diverse and often hidden in very obvious places. Thanks for this great info on the artist behind the work! 🙂

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